The human need for art, on this view, stems from the need for cognitive economy.
2.
However, the new cognitive economy model not only takes into account the motivational aspects, but it also focuses on the cognitive processes of each individual.
3.
In 2012, on the occasion of the 25th anniversary of " Social Epistemology ", Fuller reflected on the history and the prospects of the field, including the need for social epistemology to re-connect with the larger issues of knowledge production first identified by Charles Sanders Peirce as " cognitive economy " and nowadays often pursued by library and information science.
4.
Starting in 2006 with the book " Building Knowledge Cultures " ( with Tina Besley ), a trilogy of books with Simon Marginson and Peter Murphy on creativity and the global knowledge economy, education and the creative economy with Daniel Araya, digital labor and the cognitive economy ( with Ergin Bulut ), and creative universities ( with Tina Besley ) he has begun to chart a theory of co ( labor ) ation informed by three aspects : social media, social production and social labor.
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